EVERYDAY LANGUAGE PRACTICE OF THE ACTOR AS A CULTURAL FACTOR : FROM ORGANICITY TO CULTURAL RESPONSIBILITY

Abstract

The article examines the organic nature of stage speech through the relationship between everyday language
practice and the actor’s psychophysical structure. In contemporary Ukrainian theatre practice, this issue is increasingly
актуально due to transformations in the linguistic environment and growing professional demands. Despite welldeveloped
training in diction and voice, the role of everyday language practice in shaping stage speech remains insufficiently studied. The purpose of the study is to analyze how everyday language practice influences the organicity of stage speech in conditions of stage action. The research is based on an interdisciplinary approach combining linguistics, psycholinguistics, theatre pedagogy, and speech physiology, which allows stage speech to be understood as an integrated psychophysical system.
The study proposes a model consisting of three interconnected levels: bodily-articulatory, psycholinguistic, and
psychophysical. Internal speech is a key mechanism ensuring the transition from thought to word. Delays between them
indicate insufficient integration and reduce organicity. In stage action, speech functions under cognitive load: the actor
simultaneously perceives, reacts, and speaks. Under such conditions, only automated speech remains stable.
The scientific novelty lies in analyzing everyday language practice as a determining factor in stage speech organicity, a
dimension insufficiently represented in research. The results show that weak integration leads to increased cognitive load,
disruption of tempo-rhythm, and reduced expressiveness. Stage speech is therefore understood as a holistic psychophysical
phenomenon dependent on the depth of its integration into the actor’s everyday language experience.